All right

Yeah it’s been a bumpy road
Rollercoasters high and low
Fill the tank and drive the car pedal fast
Pedal hard
You won’t have to go that far

You wanna give up cause it’s dark
We’re really not that far apart
So let your heart sweet heart
Be your compass when you’re lost
And you should follow it wherever it may go
When its all said and done
You can walk instead of run
Cause no matter what you’ll never be alone
Never be alone
Ooh ooh
Never be alone

Forgot directions on your way
Don’t close your eyes don’t be afraid
We might be crazy at late
I can’t wait till you arrive
Follow stars you’ll be alright

You wanna give up cause it’s dark
We’re really not that far apart
So let your heart sweet heart
Be your compass when you’re lost
And you should follow it wherever it may go
When its all said and done
You can walk instead of run
Cause no matter what you’ll never be alone
Never be alone
Ooh ooh
Never be alone

You wanna give up cause it’s dark
We’re really not that far apart
So let your heart sweet heart
Be your compass when you’re lost
And you should follow it wherever it may go
When its all said and done
You can walk instead of run
Cause no matter what you’ll never be alone
Never be alone
Ooh ooh
Never be alone

When its all said and done
You can walk instead of run
Cause no matter what you’ll never be alone
Never be alone

We spent almost every day last year backstage writing for our album Golden, so we were really focused on writing songs that would connect with the fans in these arenas. We definitely learned a lot about ourselves as live performers and the type of catalog we wanted to have so that we could go out and try to give the fans the  best show they’ve ever experienced. All of that was the jumping off point for this tour, and now it’s time to take it to the next level.

1. Get To Me – Hillary Scott strikes a seductive sound on this light and easy number that flows very sweetly.

2. Goodbye Town – Quite possibly, the best vocal that Charles Kelley has put down yet. The lyrics strike a nostalgic tone – at least at first – but the chorus tends to suggest that the past is not somewhere he wants to be. The harmony notes in the chorus and at the end of the track suggest 80s rock. A definite single.

3. Nothin' Like The First Time – A tender look back at when love was new. Hillary and Charles trade off lead vocals during the verses, building up the passion as the song goes along. A second chance at love?

4. Downtown – Already a huge hit, Hillary Scott gets to play the vixen on this cut – warning her significant other of the perils of not taking her out and showing her off – like he had done when love was new. She chews up the scenery in first-rate fashion, making this one of her better performances

5. Better Off Now (That You're Gone) – A full throttle tempo cut that the band should take to the next level – particularly on stage. We've already used the word flow, but it bears repeating once again here. No trying to save the world, just a melodic goodbye.

6. It Ain't Pretty – I guess you could say this is what happens when you don't find the lover you shouldn't be with (see "Need You Now"). Scott strikes a regretful tone throughout the song – until she decides she doesn't need to be out clubbing while suffering from a broken heart. The best song here, as well as the best track. Absolutely heartbreaking.

7. Can't Stand The Rain – Dave Haywood's keyboard work sets off this track. Kelley approaches it with a degree of restraint – simmering until he gets to the chorus. The production – about being shelter from a storm – seems to suggest possibly another crossover single.

8. Golden – One of the more traditional arrangements that the trio has featured on record yet. Kelley pulls in on vocals just a little bit, and the result is one of the most sonically-satisfying cuts here. The harmony – as it usually is – is simply spellbinding.

9. Long Teenage Goodbye – Again, Lady A plays the nostalgic card here with a song that eloquently sets up how carefree those initial moments with a lover can be.

10. All For Love – Nobody has perfected the art of the dramatic ballad like Lady Antebellum the past few years, and Kelley's vocal takes this song to a new level on the first verse and chorus – balanced only by Scott's vulnerability.

11. Better Man – Just like with "Golden," there's more of a traditional slant on this cut, which is about the change that certain person can make on another. The vocal synergy between Kelley and Scott is amazing here, as neither minds playing the harmony card, as Hillary does here. After all, on a Lady A record, You've got to have the harmony.

12. Generation Away – A snappy and positive way to end the disc. The lyrics are all about leaving a positive mark behind – whether it be Johnny Cash, Dr. Martin Luther King, Jr., or the Ford Mustang. But – in what is the theme of the album – there's nothing here heavy handed – just words to live by.